Category Travel

Aug 28 2018

Railroad Day Trip and the Fuji GA645zi


The Art Of Film Photography And Travel

 

Jordan standing on part of a giant Redwood tree on the top of the mountain

Day 1

Earlier this month Ellen and I took our 9yo grandson Jordan on a week long trip to the San Francisco area.  We did many things and visited some great sights! One of the most memorable was a 2 day visit to the Roaring Camp where the Big Trees and Pacific Railroad is!  They offered several train trips around the mountains and through the giant Redwoods. 

There also were two covered bridges in Felton, one in Roaring Camp itself and another a short distance away in the town. Here is the Roaring Camp bridge.

Roaring Camp Covered Bridge

Dixiana, a 160 yo steam train being lubed

Our first trip was on the Dixiann a 160 year old narrow gauge steam train designed to move ore down the mountains from the mines.  It was special in that it had geared drives to all of its wheels and while it could not move fast it could pull loads up and down the mountains and take as much as an 8% grade!.

The rail yard was full of amazing trains that were in various stages of repair or being torn down for parts. It was a photographers dream!  There was so many different parts, trains and cars around the yard that I could have spent hours and many rolls of 120 film there.   The film I did choose was Kodak Tmax 400.  The reason for this was the fact that I was in the mountains covered in giant Redwoods and there was not too much light!

 

Pacific Railroad Yard in Roaring Camp, Felton, CA

Dixiana, a 160 yo steam train arriving at the station to pick us up

Once it was time to board the train Jordan and I went down beside the tracks trying to get some good angles on the steam engine with its puffing smoke and steam. 

As it approached we were physically pushed aside by an foreign  woman and her daughter who then stood directly in front of us taking phone pictures. 

We were already setup with our film systems when they did this.  It was the only black mark on the day for us and caused enough anger for me to yell at them for being so rude but they simply did not care.  So this next image had to be majorly cropped to remove them from it. Some people are totally clueless and without a shred of common sense or decency.

If you take a look at the engine you will notice that there is really no dark smoke.  This is due to the fact that it has been converted to burn used motor oil!  There was a water town that it pulled up to and topped off its water level too.

The engine  had a central drive shaft that powered the gear drives to all of the wheels.  Next is another image of it getting ready to leave the top of the mountain on the ride back down to the station.

Dixiana, a 160 yo steam train getting ready to head down the mountain

There was another interesting covered bridge in Felton as well.  It was the tallest covered bridge that I have ever seen!   The town built a nice park around it.

Felton Covered Bridge, Tmax 400

Felton Covered Bridge, Tmax 400

 

 

Fuji GA645zi Medium Format Camera

Let’s take a bit of time to talk about the photography a bit…  On these two train trips, light was an issue as well as not being able to use a tripod.  As this was a week long trip and not photography based I chose the Fuji GA645zi medium format camera because of its light weight, 55mm to 90mm 4 position f/4.5 zoom lens, fast autofocus, accurate built in meter, Aperture, Shutter and Manual modes, internal flash and lightweight as the only camera I would take and carry. It is also tough with a solid titanium body!  In other places around California I was able to use a small carbon fiber travel tripod from Really RIght Stuff and then shutter speed became a non issue.

As I said earlier, ALL shots in this post were done on Tmax 400 due to it being difficult using a tripod as well as lower light levels in the Redwoods.   Normally in a situation where I have enough light or am able to use a tripod I will always choose Ilford FP4+ 125 ISO  film for its amazing sharpness, small grain and great contrasts.  I also shot with an orange filter whenever I could but sometime even that had to come off in order to keep a decent shutter speed.   Processing was done in Kodak Xtol stock in my FIlmomat automated table top film processor.   Once dried I used a wet mount scan process.  I find the Tmax films very easy to use and they give consistent results are easy to load on the reels due to their thick film base.  I also brought along some Velvia 100 film and managed to shoot a few rolls of that at the covered bridges and ocean scenes.

Day 2

TIme for the Beach train ride!  This was a 3 hour trip from the mountains down to the boardwalk along the beach in Santa Cruz! Of course Jordan liked this trip also because the boardwalk held a huge amusement park!   We had an hour to play there once we arrived but he was having so much fun that we decided to wait 4 extra hours for the last train back to Felton.  The train this time was a diesel, Gene O”lague #2641 that took us and we actually rode on tracks thru Santa Cruz proper!  I was pretty interesting and sad at the same time due to the VAST numbers of homeless people who had setup permanent camps along the tracks in the low mountains outside of town.

Gene O”Lague, the diesel that took us down the mountain to Santa Cruz for the beach trip

The train is shown here arriving to pick us up at the station.  It was huge and I managed to capture this one image of it arriving before a mob of people again ran out in front of me, oh well…  

The trip done out of the Redwoods was very interesting and we even went through a long tunnel as we came into Santa Cruz.  The tracks are actually down the center of the streets and was very slow do the traffic!  ALL of the people on the streets, in the cars and trucks waved continuously as we would pass.

After we arrived at the boardwalk the train powered down and sat there for an hour waiting for the first trip back to Felton.  This gave me ample time to do some detail shots of the train which I found very interesting.  This is my favorite of the roll!

Gene O”Lague, the diesel that took us down the mountain to Santa Cruz for the beach trip stopped at the boardwalk in Santa Cruz

 

Of course we were now at the boardwalk amusement park.  We were there a few days earlier (the park) but could not spend much time there for Jordan.  So as I said earlier we decided to add 4 extra hours here for him to ride and play.  It was time well spent and he enjoyed the day.

Sky RIding on the boardwalk in Santa Cruz during the Beach train ride

Ellen & Jordan

All in all the train rides and park were a nice time on the trip for us all.  It was both fun and very tiring but I managed to capture 14 rolls of B&W 120 film and 4 of color slides.  I continue to evolve in my technique for travel photography with the inclusion of more capable travel medium format camera systems which makes me VERY happy.   I hope to travel much more with Ellen in the future and once in a while I will take my larger Mamiya 645AFDii camera and lenses there is good reason to stick to the lighter Fuji GA645zi system with its single zoom lens!

Things learned:

  • While a wider range of interchangeable lenses would be nice, the camera/lenses are just too heavy to travel with and carry…
  • I love rangefinders but an auto focus made my photography much more fun and faster with my family in tow…
  • Take more film…
  • Split the B&W film evenly between slow and fast.  Stick with Tmax 400 and Ilford TF4+ 125…
  • Take along a faster slide film…
  • Get a bigger dark bag to hold exposed film…
  • Did I say take more film?  Yep, but it is a biggie!

 

Thanks for bearing with me thru this ultra long post.  While it does come across as more of a family vacation (which it is) post it really does go into ways to make such a easier and funner experience!

 

As always, please let me know what you think of it all!

 

 

 

 

 

 

 

 

 

 

 

Oct 27 2017

Testing the new Fuji GA645zi Medium Format Camera


A Light Weight 120 Autofocus Travel Camera with a Zoom Lens!

Fuji GA645zi

Fuji GA645zi

Well…. I have been waiting to test out my new Fuji GA645zi camera for about a week now but due to family issues I have been unable to do so.
I finally made it out to visit the shrimp boats just west of Tybee Island and the light house there! The sky was very plain with no clouds but I really needed to test this camera out. I put on a yellow filter to slightly darken the sky and used Fuji Acros 100 film.
 
This is the shrimper Agnes Marie.
Shrimp Boat Agnes Marie

Shrimp Boat Agnes Marie

Data:
Fuji GA645zi – Acros 100 – f19 1-30 Plus 1 EV, Yellow Filter 9-18-17 – Wet Mount scanned – Agnes Marie – 2017-10-27. Processed in Xtol 1:1.
Fuji GA645zi

Fuji GA645zi

Please note that along the bottom of the frame ALL of the exposure data is recorded!  This is a feature that I really like.

 
The auto focus system is very robust, fast and dead on! It is not as loud as people claimed and I really enjoyed using it! I had an issue with my first roll in that it did not clear the take up reel and bulged out fogging most of the roll. Bad me, I used the one that came with the camera, so I then used the reel that the Acros came on and all is well there now. 
 
I know that the sky is plain but I am still happy with the results!
 
I am looking at this camera as a small light 120 travel camera. I know that the 6×4.5 negative is smaller than my 6x7and 6×9 systems but it still gives a large enough negative for sizable prints.  An other nice feature is that the camera has a 7 position zoom quasi zoom lens which again makes it attractive for travel!   
I only had time to wet mount scan 1 image today but I put 4 rolls of film thru it so there will be more on the way including the Tybee Lighthouse!
 
Aug 22 2017

Full Eclipse at Pawleys Island, SC


Never 2nd guess yourself on the worthiness of an image…

Full Eclipse, Pawleys Island, SC . 2017

 
Honestly, I was NOT inspired to photograph this event in the least…
 

Jordan, my 8 year old grandson

There were going to be MILLIONS of photographers out there shooting the same thing or at least trying. So I asked myself why bother to get the same shot everyone else would have?  But my 8 year old photographer grandson came over with viewing glasses so we sat out in chairs in the front of our house (100% eclipse) and watched it happen

The longer it went on the more excited I got, then when the light started fading I decided to fire off a few shots when it reached 100%.
 

Canon 70-300L

I had a Sony A6500 with a Canon 70-300L nearby so I got up and got the camera from my truck and shot handheld at ISO  4000, f/8 and 1/1000s to keep a sharp handheld shot. There was no time to setup a tripod!  I Put the camera in high speed mode and fired off about 30 images then put the camera down and forgot about it till last night. On viewing the images is was stunned by the sharpness of them all and while I had several of the diamond ring I decided upon this one for one reason:

 
Look closely on the right side of the sun/moon and you can see a solar flare jetting out to the right. It has an orange color…
So, there is a lesson to be learned here (or re-learned in my case…), do not take the desire/inspiration or lack there of for granted, take the time and get the shot and later on decide upon whether or not it was worth your time.  It is always best to have it in the can rather than not.
I am glad that I even took the minimal effort to do this.  Imagine what I could have done had I setup properly with a 600mm lens ahead of time?
How many of you have made this same mistake?  Take my example to heart and always have a camera nearby when you are viewing something that might be worth capturing whether or not you have a desire to do so… One day you might be grateful for doing so!
Nov 22 2016

Going Home to Mama…. Returning to Film!


The joys of returning to our photographic roots…

Pier

Murrells Inlet Fleet, Polaroid Type 55 4×5 film, Wet Mount Scan

Have any of you considered film photography?

There is something about working with film that is very calming which can center one’s soul allowing you to really connect with your art. For me it was like going home to Mama.  The feeling of working with your hands as part of creating your art will make it more involved and enable you to to really influence the hidden nuances in your work. It will add a bit more complexity to your workflow but trust me it is worth the effort.  The single largest change is forcing you to slow down in your creative process, it forces you to really consider every part of your workflow. It really is not any more difficult than digital photography, but it is a bit more involved.

Polaroid 900, Tmax 100 4x5 @ 64, Perceptol

Polaroid 900 with a Fujinon 150mm lens, Tmax 100 4×5 @ 64, Perceptol 1:1 developing

Take a really close look at the details in this image, click on it and look at it in the full screen mode.  Look at the GEARING on the edge of the wheel.  The detail there will take your breath away!

Film Cameras

Olympus XA 135mm

Olympus XA 135mm

I have way too many film cameras to list them all, some really small like the Olympus XA which is the worlds smallest 35mm rangefinder and a joy to use.

I also have an Olympus RC 35 camera that is another fixed lens rangefinder. It is simple and fun to use and can be found for very little money.  I have mine rebuild and given a bright blue suite that suites it quite well!

My Custom Olympus 35 RC Film Camera, one of dozens of film systems I shoot.

My Custom Olympus 35 RC 

My Leica M7 Film Body

My Leica M7 Film Body

My last 35mm camera system is a Leica M7 system. It has interchangeable lenses and is one of the best built camera systems that I have.  Couple it with the world class Leica lenses and you have an unbeatable 35mm system.

Confusion, Petri 7S 35mm, Eastman XX flim

Confusion, Petri 7S 35mm, Eastman XX flim

Fuji GF670 Medium Format

Fuji GF670

Fuji GF670

Fuji GF670

Moving up to Medium Format 120 film systems I have three.  I have the Voigtlander Bessa IIIw system that is 6×7 format and the Fuji GF670 camera (also sold under the name of Bessa III) with a longer 85mm lens (left & right). The 670 is my medium format travel camera of choice.  Not only is it a functional camera with a built in meter but it is attractive and it always will draw a crowd when I get it out to use! Another nice point to the GF670 is that it folds down on itself to a thin easy to store camera in your bag!

Mamaya RZ Pro II system

Mamaya RZ Pro II system

And lastly the Mamaya RZ Pro II SLR ( Right) with interchangeable lenses and a world class metering system. This camera is large and heavy but easy to use and a very powerful camera system! I have a f/4 65mm and f/4 180mm lens for it.  I also have both the waist level finder and a metering prism with spot and matrix!  Like I said, heavy and big, but I use it for ultra long exposures on the coast with the Fuji Acros 100 film which has almost NO RECIPROCITY failure up to 140 seconds then only 1/2 stop after that!   The film base is a little on the thin side but still my film of choice for long exposures.

Stormy Seas, Fuji GF670, Tmax 100, Perceptol 1:1, Wet Mount Scan

Stormy Seas, Fuji GF670, Tmax 100, Perceptol 1:1, Wet Mount Scan

Beautiful!

Polaroid 110 with 90mm lens converted to 4×5!

My 900 converted to 4x5 by Alpenhause Kamera Werke

Polaroid 900with 150mm Fujinon lens converted to 4×5

Moving up to 4×5 Large Format cameras, I have three. first I have a Shen Hao cherry field camera.  Functional as it is beautiful.  I rarely take it out, rather I am using a Polaroid 900 converted to 4×5 with a Fujinon 150mm lens and a Polaroid 110B camera converted to 4×5 with a Schneider Super Angulon 90mm lens.  It is a beauty and very wide!

Yes, as you may have noticed, some of these cameras are quite large.  This is due to the negative size.   Let me give you some idea as to why digital cameras can never come close to the resolution of film.

Focus Test - Epson Wet Adapter Across 100 Perceptol 1:2 Springmaid Pi

Montreat Cascades, 4×5 Tmax 100 developed in Perceptol and wet mount scanned.

Lets start with medium format:

  • Medium Format 6×7 format makes an image 2 1/4 inches tall and much wider.  Scanned at native resolution of 6400 dpi on an Epson 850 Pro scanner gives me a file resolution of 16452 x 19668 dpi or a print size at 300 dpi of 4.5 feet by 5.3 feet!  This is huge.
  • Large Format of 4″ x 5 ” scanned at 6400 dpi (native) gives a file size of 29107 x 36070 dpi or a print size of 8 feet x 10 feet!  There is not a digital camera system in the world that can come more than a small fraction of this!

Film

Film has turned wildly popular again in the past several years and many of the big film manufacturers have started increasing their film production lines again. This is especially true in the medium format lines (120) and 4×5 large format films! Film can be found in single rolls or in bulk almost everywhere again.  The big box companies like B&H, Adorama and many others carry almost every type and format that you could ever want!

Processing in B&W has never been easier at home with eco friendly chemistry with no darkroom needed. Only an initial outlay of around $150 will get you started. Cameras can be found anywhere for next to nothing!  You will need:

  • Dark Bag, a cloth bag that it light proof with arm sleeves that enable you to put your film, developing tank, reel an lid inside with your arms to move the film into a light tight developing tank!
  • Developing Tank, I recommend a stainless steel version.
  • Film Reels, I like the Hewes stainless steel ones.
  • Developer, comes either in a powder or a Liquid.  I like Perceptol and/or Rodinal R09.
  • Fixer, to remove un-used silver
  • Liquid wetting agent to prevent drops to dry on your negative.
  • Clips to hang you film up to dry!

You can scan your film into your computer with a good Epson scanner like the 700, 750, 800 or 850.  You can also buy an adapter for your camera allowing you to scan by photograph!

While I work in both color and B&W, digital and film I find time after time I pick up a film system and load it up with a good B&W film. The process of developing your film can really help you connect to your work as well.

I like several films, here they are in order of favor:

 

  1. Kodak Tmax 100 in 35, 120 and 4×5, very small grain, good dynamic range easy to process
  2. Fuji Acros 100 in 35, 120 and 4×5, very small grain, good dynamic range NO RECIPROCITY FAILURE, easy to process
  3. Rollei IR400 in 35, 120 and 4×5, Infrared or normal B&W, good dynamic range, easy to process
  4. Rollei Retro 80S in 35 and 120, amazing clarity and sharpness, good dynamic range easy to process
  5. Eastman XX in 35, motion picture film used in B&W movies of the 50’s, smooth gradient transitions.

 

As an example here is the top image from last week of the fishing fleet taken on 20 year out of date Polaroid Type 55 monochrome instant film. The camera is also a Polaroid 900 that my daughter sent me years ago from a garage sale that I had converted to 4×5 with a Fujinon 150mm lens. A MOST beautiful camera in a bright new blue suite that is just fun to use. It is both rangefinder and ground glass focusing that forces you to slow down and really consider each and every image you capture!

The Type 55 film, even outdated, works flawlessly and generates amazing images where the edge markings add to the artistic impact of your subject

Pelican Dock - Type 55 4x5 Film, Wet Scan

Pelican Dock – Type 55 4×5 Film, Wet Scan

So what do you think?  Are you tempted to try this out?  It is easy.  For starters, you can look at the continuing education departments at a local college or hight school.  Most offer B&W film photography with darkroom work.  This will teach you enough to allow you to determine if you would like to further investigate this wonderful medium!

You can also contact me and request info on one of my film workshops held in Pawleys Island SC.  I would love to have you and share this amazing link to our past!

Please let me know what you think of this post!

Sep 3 2016

My Thoughts on the Art of travel photography…


Or… What I Did On My Summer Vacation!

Warning, LONG post…

Canyon Lands Pano, Sony A7rii with the 24-240 and polarizer

Canyon Lands Pano, Sony A7rii with the 24-240 and polarizer


Devils Tower

Devils Tower

Travel Photography… Say it, let it roll off your tongue, think about it!  I bet that the first thing that comes to mind are images from National Geographic, fine, super saturated color photographs that could take you anywhere in the world by simply looking at them!  You know the kind, they enabled you over the years to travel vicarisly around the world just with the magazine and its images!  

But is that what travel photography really is? 

 

What is the intent of travel photography  to document a place or a trip?  Is it designed to tell a story on an individual level or to the masses?

A6300-3886- S1_500-Whodos Bryce-2016 1 copy

Well for me, it is a combination of the two.  Most importantly, the images are to refresh the memories of the trip.  But there is a real market out there for well done travel photography whether in print publications, web, advertising or fine art prints.  It can be quite profitable if you work at it and can step back and look at your own images in terms of the above markets.  Even the housing deceration market has room for this type of photography provided that you can simplify your work to show colors and contrasts over locations.

Jordan, My 7 year old photographer grandson

Jordan, My 7 year old photographer grandson

For this trip, and pretty much all the time when I am shooting digital, I exclusively use the Sony 42 mpix A7rii camera system and the new Sony A6300 for high speed work with Sony G lenses or Sony Zeiss lenses. They are very well suited to this type of photography and give you enough (42 mix)  resolution to get amazing images yet still have room to crop!

The drive for this post was a recent  two week trip out West with my wife and 7 year old grandson Jordan who I am teaching film photography and darkroom processing to (photographically, I had grand plans for him this trip).  Given time I plan on turning him into a photographic GOD for something fun while making sure he is a Rocket Scientist!

We flew into Rapid City, SD and picked up a one way rental car and our first night in a long string of hotels.

Devils Tower

Devils Tower

Our Itinerary:

  • Prairie Dog

    Prairie Dog

    Day 1. Rapid City layover and rest.

  • Day 2. Pick up rental car and drive to Mt. Rushmore in the morning and then the Devils Tower in the afternoon. Continue on 1/2 way to Codie, WY.
  • Day 3. Famous Hot Springs of Thermopolis, Wyoming then an afternoon visit and guided tour to the most successful dinosaur dig on our continent.
  • Day 4. Codie WY for several stops including the famous old west town and the Codie Rodio.
  • Day 5-7. Yellowstone for 3 days in a park lodge.
  • Day 8. Leave Yellowstone, drive thru and stop along the way in the Tetons finishing in Jackson WY.
  • Day 9. Drive just north of Salt Lake City in the town of Herbor for a 3 hour train ride around the valley.
  • Day 10-12. Drive to Moab for 3 nights and visit Arches and Canyonlands National Parks with extra boat and jeep rides thru the park as well as Dead Horse Point State Park.
  • Day 13. Early morning drive to Bryce National park for 2 days of Bryce National Par
  • Day 14. Drive to Salt Lake for flight home on day 15.

Drugstore of the West, Cody, WY

Drugstore of the West, Cody, WY

So as you can see there was a well thought out family plan for travel and location visits!  But, I also had a plan, my photographic plan!

So lets talk first about my TRAVEL photographic equipment plan.  I wanted to travel light (yea right).  No backpack, rather a small rolling camera case that would fit into the over head of a small commuter plane so that I would not have to check it.  I would not have room for a film camera… Dang!

So here is what I brought along:

  1. Sony A7rii camera body
  2. Sony a6300 camera body for Jordan
  3. Sony 24-240mm one lens does it all for Jordan
  4. Sony 24-70 Zeiss f/4
  5. Sony 70-200 G f/4
  6. Tamron 150-600 for those exotic animals I expected to see
  7. And yes… A Olympus XA 35mm film camera (but it is the worlds smallest rangefinder) with 6 rolls of Tmax 100
  8. Filters, ND for long water falls and polarizers for all of the rest in 67mm and 72mm.
  9. Batteries an chargers (both cameras used the same)

This was a good plan (or so I thought) until our very first stop at Mt. Rushmore where Jordan informed me that the 24-240 was too long and heavy.  Oh well, I took that and gave him the 24-70.

RULE ONE:   No camera plan survives first contact with a 7 year old!

Ok, so at least the part of the photographic plan of me being able to NOT check my camera equipment worked! (I did put all of my insulin and supplies in the camera case just to prove my need to have the case with me but did not need it).

RULE TWO: A super  zoom really works best when you have to carry lots of glass around while traveling.  See Rule One, Jordan did me a favor here!

Yes, I know that one would not normally trade a light 24-70 Sony/Zeiss f/4 lens for a 24-240 f/3.5-5.6 Sony super zoom but I have to be honest, I was VERY impressed with the super zoom!  It was not really that much heaver but it was longer. I NEVER put on the 24-70 after that.

Things to look for on a cross country western trip:

  1. Wildlife
  2. Landscapes & Vistas
  3. Unique rock formations
  4. Waterfalls
  5. Wild colors
  6. Unique photographic visions

Trip Highlights!

Yellowstone

Old Faithfull

Old Faithful

Querimony: To Questionably Moan & Complain!

I expected great things of Yellowstone and that showed in the number of days there as well as staying in the park.  Yellowstone is HUGE, so much so that you have to allow for HOURS of driving time from location to location.  The roads are all good, 2 lanes with adequate pull offs.  BUT having said that there are rules of behavior in pulling off and rules for how you treat the wildlife.   I cannot tell you how many people (especially foreign visitors) who would jump out of the car (still in the road) and run off into the fields right up to the wildlife.  To say that this is bad behavior is an understatement.  It for one, keeps others from being able to photograph the wildlife and two puts the peoples lives in grave danger that approach the wildlife!  Yet this happened almost every time wildlife was near the road.  The park rangers had simply given up on trying to educate people who would not listen. They spend most of their time dealing with the MANY dreadful traffic accidents that happened every day.  The traffic jams were terrible whenever an animal was near.  Sometimes this was due to the animal being on the road but most of the time it was because people parked right in the middle of the road who left their cars. 

Buffalo on the Yellowstone

Buffalo on the Yellowstone river in the early morning mist

I am going to share a few of my favorite images from Yellowstone with you.   It is a good cross section of what you can expect to see while visiting!

 

Blue Pool, Prismatic Spring Yellowstone

Blue Pool, Prismatic Spring Upper Yellowstone

 

Prismatic Spring Yellowstone

Prismatic Spring upper Yellowstone

 

Yellowstone Antelope

Yellowstone Antelope, North Entrance

 

Teal Pool, Upper Yellowstone

Teal Pool, Upper Yellowstone

And last….

 

Lower Yellowstone Falls Detail

Lower Yellowstone Falls Detail 1 second  Exposure with 10 stops of ND

I would travel again to Yellowstone but in the spring or fall in order to see more of the wildlife there.  I realize that in the heat of August even the animals would move to higher locations in order to reduce the heat.  The only wildlife I really saw in abundance on this trip were Buffalo, Elk and Antelope.  

Moab, Arches & Canyonlands National Parks

Delicate Arch

Delicate Arch

The Moab area offered some of the most amazing locations of our trip.  I had thought that nothing could beat Yellowstone, but Moab came very close.   

Sandstone Arch, Arches

Sandstone Arch, Arches

There are 3 offerings here, the Arches National Park, Canyonlands National Park and the Dead Horse Point State Park.  ALL three are must see locations.  For me Arches was the best, but honestly, we spent time exploring all three in detail (well sort walk detail).  We also paid extra for a boat trip on the Colorado River thru Canyonlands for a low view and a back country jeep tour to see area and arches not available to the general public in Arches!  If you get here I advise that you do both side trips.

Courthouse Rock, Arches

Courthouse Rock, Arches

 

Whale Tail Arch, Backcountry Tour

Whale Tail Arch, Backcountry Tour

 

Windows Arch on the Back Country Tour, Arches

Windows Arch on the Back Country Tour, Arches

 

Dead Horse Point

Dead Horse Point. Look at the lower left corner 1/3 up to see the dead horse outline.

 

Canyon Lands, Isle in the sky

Canyon Lands, Isle in the sky

 

General Utah

 

High Desart Train Pano

High Desart Train Pano

So…. I had this vision stuck in my head of a parked line of freight train box cars parked in the high desert with a mesa behind them.  I found myself looking to the sides of the car as we traveled endless miles through Wyoming and Utah.  Finally my wife asked me what I was looking for and when I told her she made a point to help me look and stop me when we came upon them.  I know that out West there are ultra long stretched of road.  Most are 4 lanes with lots of traffic.  If you see that special scene make sure that you safely stop so as not to irritate the 7 year old in the back seat, pull safely off to the side of the road as you watch for the perfect compositional setup and get out and shoot it!  DO IT!  

Because…

RULE THREE:   There are NO GO BACKS!  If you see a subject or scene on the side of the road immediately stop and shoot it!

Bryce National Park

Whodos in Bryce Canyon

Whodos in Bryce Canyon

To say that Bryce National Park is anything less that amazing is an understatement.  It was right up there with Arches and Yellowstone in amazing views, colors and the wow factor!  This is the location that I would choose to visit again to try some different styles of photography.  The colors of the Hodoos are simply amazing and full of wild colors and contrasts.  

Natural Bridge Bryce

Natural Bridge Bryce

RULE FOUR:   Revisit those scenes and compositions as many times a possible!

While in Arches, my 7 year old grandson decided that he had enough nature and vistas after driving Arches all day long.  I took them (at my wife insistence) back to the hotel and went back out to Arches and drove it again in different light conditions and the 2nd time there were clouds in the sky.  This made for much better images that I would not have gotten if I did not go back out again!

Final thoughts on what makes travel photography great!

Now as you have seen here, I presented this trip as a travel log.  Attempting to document the many wonders of the high plains in the west. For images that have the possibility of selling you need to:

  • Pay more attention to your editing, scene selection and composition.  
  • You must re-visit local scenes several times in order to get the best light and clouds.  
  • You MUST shoot with your best equipment in order to produce high resolution images for future publication.
  • In your post processing you must choose only your best images and throw the non used images out.
  • Be your WORST critique and select only what you would consider to be world class images.  Case in point, the image above of the Court House Rocks in Arches.  Yes it is a nice image but the lack of clouds in the sky reduce its impact to the point of it being a weak image!

Hood Valley, Bryce Canyon, Sunset overview.

Hood Valley, Bryce Canyon, Sunset overview.

This type of travel photography is more difficult that personal travel images traditionally done by the millions of photographers who roam the country.   These types of images are still travel photography but basically serve to show and remember your great trips!  They will include more family member in the scenes, less care about the total compositional elements because those are simply not as important to the memory of the trip and locations! They are just as important, but will not generally generate income from sales and publication. 

Colophon:  Very Important Lessons Learned:

  1. NEVER, and I do mean NEVER plan a 14 day photographic trip with a 7 year old and expect him to be excited beyond the first week.   I would have been better off leaving the A6300 and 24-70 f/4 at home thus lightening my load and giving him MY camera when he desired to take a photograph!
  2. Make SURE that you explain to the said 7 year old that “NO!  There are places that not only will there be no TV but also no internet!  (I was able to get around this most of the time with my iPhone as a hot spot for his iPad!)
  3. Build in several fun days (as viewed by a 7 year old) that includes things like movies, water parks and so on!  This is a small price to pay for 7 year old mental health and will refresh his young mind and keep it open for those wonderful scenes you travel to!
  4. How can you get those great travel shots when your walking is limited?  As a cranky 63 year old man, make sure that you plan photographic stops THAT YOU CAN DRIVE TO!  We (actually my thoughtful wife) did this ahead of time thus insuring my mental health and happiness at the stops we made!
  5. Take the time to occasionally stop at nice restaurants  that actually serve wine and beer (this will assist with the mental healty of said wife!)  Happy marriages are NOT built and fast food places in a rush!
  6. If you desire to shoot medium format film, you damn well better plan on space for the camera and film!  Regrets upon your return will leave a sour taste in your mouth!
  7. Be flexible, very flexible.  This will leave you happy in the hotel at night!
  8. Take your pain drugs! (See #7)
  9. If you see a photo subject on the side of the road STOP!  There are no go backs! (see RULE THREE about this very thing and really your wife know this and will support your urges to stop in the middle of nowhere!
  10. Wildlife… What wildlife?  How did I miss all the great shots of wolves, coyotes, and bears?  I was in Yellowstone for heavens sake!  The lesson here is to make sure you check the season for high animal activity.  I have listened to my photographer Son talk about so much wildlife in Yellowstone that it was not safe to drive!   I guess he should have mentioned when he was there!  Oh well.  I AM happy with what I actually did see (Buffalo, Antelopes, Elk and Prairie Dogs)
  11. Stop at EVERY overlook in every park.  You will be happier having done so (and vicariously so will your wife).  You will hate yourself when you return home only to have a photographer friend tell you that the one overlook you skipped was the only one you should have stopped at!
  12. If you find a scene that is magical for you revisit at a different time of day.  This is VERY IMPORTANT and promote photographic health for those who have heeded these magic words.
  13. Would I do it all over again with a 7 year old?  YOU BET!!  But I would plan differently.  If I take any of my grandkids I need to remember that it is their vacation as well.  This means that you build in days doing fun stuff for their age also!

Please let me know what you think of this long post!  I welcome all feedback.

 

Bryce Canyon

Bryce Canyon in camera pano

Jun 12 2016

Testing The Sony A6300


Smaller, Faster and able to leap over tall buildings!

Yes, you are correct, I shoot with the Sony A7rii 42 mega pixel full frame mirrorless camera!  What you cry am I doing with the A6300 which is only 24 mega pixel and an APS-C sensor?  Well friends, the answer to that is simple, well perhaps not…   I envision the A6300 as a 720nm Infrared camera.  

Pawleys Island Marsh, Sony A6300 with the Sony/Zeiss 24-70 f/4 and a polarizer. B&W conversion

Pawleys Island Marsh, Sony A6300 with the Sony/Zeiss 24-70 f/4 and a polarizer. B&W conversion Look at the detail in the gate and grass.  This has a 3 dimensional effect! 

But it has several very interesting and powerful functions that have engaged my curiosity.  Those are:

  • 11 fps shooting speed.
  • Faster and more accurate focus than the A7rii
  • More focus and metering points.
  • Half the weight of the A7rii
  • Much brighter and accurate focus peaking system.
  • Ability to work macro at 1:1 with live view and not have an over pixelated display.
  • The ability to turn my 600mm lens into a 900mm lens!
Sony A6300 Front View

Sony A6300 Front View

The 4 test images I took today were shot hand held at 1/250s and in RAW with Zone Focusing.  I also had the LIVE VEIW DISPLAY: Setting Effect: ON.  This enabled the camera to simulate the exposure effects during composition to give me an idea of what I am actually seeing. 

The A6300 is a TINY camera system.  It is so light (even with a L Bracket installed) that I had to be very careful when carrying it around.  I worried over dropping it and not knowing!

Sony A6300 Back View

Sony A6300 Back View

The camera does NOT have a built in Stabilizing system, rather it relies on the fact that most Sony lenses have that built in.   I has 3 custom WB memories for those of you who are considering the camera for Infrared and it also has 2 custom setup memories that I have found to be very helpful with my A7rii camera!

I found the camera very easy to use and control.  I setup all of the custom functions and buttons to make my life easier when shooting it.   

As I said, this camera was meant to be converted by http://www.kolarivision.com into a 720nm infrared system and it may actually meet that end, but I really like the ability of the APS system to give me 900mm from a 600mm lens!

 

 

Pawleys Island Marsh, Sony A6300 with the Sony/Zeiss 24-70 f/4 and a polarizer.

Pawleys Island Marsh, Sony A6300 with the Sony/Zeiss 24-70 f/4 and a polarizer.

Here is the color version (with polarizer) of the image above.  The colors are nicely saturated and the overall image is sharp and offers enough detail and sharpness to draw the viewer into the image!

Pawleys Island Marsh, Sony A6300 with the Sony/Zeiss 24-70 f/4 and a polarizer.

Pawleys Island Marsh, Sony A6300 with the Sony/Zeiss 24-70 f/4 and a polarizer.

Here is another view of the salt marsh.  I have to say that the camera with the 24-70 Zeiss lens is easy to hold and control.  The camera control buttons are easy to reach and control without using them by accident.

Pawleys Island Marsh, Sony A6300 with the Sony/Zeiss 24-70 f/4 and a polarizer. B&W conversion.

Pawleys Island Marsh, Sony A6300 with the Sony/Zeiss 24-70 f/4 and a polarizer. B&W conversion.

Lastly, a B&W conversion of the same image.  

I am really excited with the functionality of this little system.  I am pleased with the results and will use it for a few months as a color system for my long lens. Ultimately it will be converted to IR but for now I will play with it.  

There are several issues with its firmware (same as when the A7rii came out).  Overheating during hight speed continuous shots is the big one but Sony assures me that a fix is in work as it was when the A7rii camera came out!

I will be experimenting with the system for a few months and see what it can offer me in terms of images and use.  Later this week it is going to the beach for some ultra long exposures to see if it has any body light leaks!

What do your think?

 

 

May 31 2016

Learning to work the scene!


Have a plan to work different compositions with in your scene!

Stormy Seas Side Shot

Stormy Seas Side Shot  Sony A7rii with the Sony/Zeiss 24-70 f/4 lens and polarizer.

You know how it is when you walk up to a scene and notice it for the very first time?  Usually we are amazed at what we have discovered!  We setup take the image and walk away congratulating   ourselves as to the amazing luck at finding such a perfect subject!

But wait!  You have all heard that you should work a scene, right?  Just look at all of the cool parts that make up the whole.  I am also sure that you have heard the phrase, “WORK THE SCENE”!  Well that actually means what it says.  Start wide and work in and around getting closer and more details!   When you are as close as you can stand, then work your way back out again!

This is powerful advice…

This is also the secret of all those world class images you see posted or published around the world.  Do you actually think that the professional photographer working and Nat Geo only took the one image?  Really???  They are just like the rest of us, a 30% keep rate and a 90% garbage rate!

So, knowing that it only make sense to take the time to work the scene.  Looking at the top image you see that I could the shrimp boat Stormy Seas with a long liner Charlotte Marie under the strong clouds of tropical storm Bonnie.  The scene is full of mood, color and contrasts.  I was specifically looking to work the shrimper so I did not pay any attention the the long liner.   Here they are a dime a dozen but there are likely a lot of detail shots there also…

Stormy Seas

Stormy Seas, from the bow, Sony A7rii with the Sony/Zeiss 24-70 f/4 lens and polarizer.

So as you can see, I have now walked around to the dock the shrimper is on and take a bow shot composing to keep the other boats, docks and other muck out of the image.  I still set it up to get the great storm clouds.  A much better shot than the first, no?

Stormy Seas

Stormy Seas, closer but  from the bow, Sony A7rii with the Sony/Zeiss 24-70 f/4 lens and polarizer.

Next I move further in, closer to the bow, looking at the painted boat name and the great structure and contrasts hidden the the hull of the boat.  As I stand here I think to myself that having the anchor cut off is a bit distracting but then decide that it adds a hint, or suggesting more out of scene that adds a bit is mystery to the image.  Again, in post, I have added a bit of mood to the clouds also!

Stormy Seas Side Detail

Stormy Seas Side Detail, Sony A7rii with the Sony/Zeiss 24-70 f/4 lens and polarizer.

Now I am walking down the boats side, paying attention to the colors and patterns around the wheel house.  There is a lot here and the images continue to improve. Having the walkway moving up and away from me give a sense of infinity and curiosity as to what is at the bow above!

Stormy Seas Life Ring

Stormy Seas Life Ring, Sony A7rii with the Sony/Zeiss 24-70 f/4 lens and polarizer.

Moving further back towards the boat’s stern (back for you folks who live in Idaho!) I come upon the life ring with assorted fishing accessories hanging from it.  This scene is the most promising so far.  Look at the textures in the wall of the wheel house, the deep rich red tones and the crisp writing of the boats name!  It gives me shivers overtime I look at it!

Stormy Seas Line

Stormy Seas Line, Sony A7rii with the Sony/Zeiss 24-70 f/4 lens and polarizer.

But wait!  Just below the life ring hanging on the gunnels of the boat is a coil of heavily textured rope.  The rusty bold and chipped and rotting rail add so much texture, mood and stories that I am drawn to create an image just of this one detail!

This is exactly what will happen if you take the time to explore your scene totally working inwards getting more and more details as you go!  If the scene is worthy of taking, it demands that you explore it in great depth and detail.  Give it the time to do a good job and document all of it’s glory!

Stormy Seas, side detail, B&W

Stormy Seas, side detail, B&W, Sony A7rii with the Sony/Zeiss 24-70 f/4 lens and polarizer.

Do not forget to work in B&W as well, each and every image you take might have magic wonder hidden within its detail if you look at in in monochrome!  Look closely at the image above.  The hull has MUCH MORE DETAIL in its structure than the one in color did yet they are the same exposure!  The clouds have more depth.   Monochrome images discard the distractions caused by color… But that is the subject for another post….

Remember, this has NOTHING to do with the type of scene you shoot, nature, landscape or shrimpers, it is all the same!

What do you think?