Testing the new Fuji GA645zi Medium Format Camera


A Light Weight 120 Autofocus Travel Camera with a Zoom Lens!

Fuji GA645zi

Fuji GA645zi

Well…. I have been waiting to test out my new Fuji GA645zi camera for about a week now but due to family issues I have been unable to do so.
I finally made it out to visit the shrimp boats just west of Tybee Island and the light house there! The sky was very plain with no clouds but I really needed to test this camera out. I put on a yellow filter to slightly darken the sky and used Fuji Acros 100 film.
 
This is the shrimper Agnes Marie.
Shrimp Boat Agnes Marie

Shrimp Boat Agnes Marie

Data:
Fuji GA645zi – Acros 100 – f19 1-30 Plus 1 EV, Yellow Filter 9-18-17 – Wet Mount scanned – Agnes Marie – 2017-10-27. Processed in Xtol 1:1.
Fuji GA645zi

Fuji GA645zi

Please note that along the bottom of the frame ALL of the exposure data is recorded!  This is a feature that I really like.

 
The auto focus system is very robust, fast and dead on! It is not as loud as people claimed and I really enjoyed using it! I had an issue with my first roll in that it did not clear the take up reel and bulged out fogging most of the roll. Bad me, I used the one that came with the camera, so I then used the reel that the Acros came on and all is well there now. 
 
I know that the sky is plain but I am still happy with the results!
 
I am looking at this camera as a small light 120 travel camera. I know that the 6×4.5 negative is smaller than my 6x7and 6×9 systems but it still gives a large enough negative for sizable prints.  An other nice feature is that the camera has a 7 position zoom quasi zoom lens which again makes it attractive for travel!   
I only had time to wet mount scan 1 image today but I put 4 rolls of film thru it so there will be more on the way including the Tybee Lighthouse!
 
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Become the Master of your craft….


Pelican Dock - Type 55 4x5 Film, Wet Scan

Pelican Dock – Type 55 4×5 Film, Wet Scan

 

This is the Pelican Dock on Pawleys Island, SC. It is a 4″ x 5″ FILM image taken  on Polaroid Type 55 film from one of my film workshops.

Polaroid 900 w/ 150mm Fujinon lens converted to 4x5 by Steven Icanberry.

Polaroid 900 w/ 150mm Fujinon lens converted to 4×5 by Steven Icanberry.

I did this with a Polaroid 900 converted to 4×5 format camera and the film was expired (16 years) Type 55 instant 4×5 film that also creates a fragile negative which was scanned Wet Mount on an Epson 850 . This single image costs about $35 to create and process!

But look closely at the image, notice the calm peace of the scene, the amazing clarity and sharpness that is a gift when working with large format film, but more importantly, the edge process markings created when working with this amazing film!

But of greater importance than how I created this image is the why

We all see amazing scenes as we travel through life, but how many of us actually take the time to really experience and feel on an emotional level what we are actually experiencing as we create our art? I watch so many great photographers skitter from scene to scene like a bee to pollen that it leaves me feeling sad.

Let me ask you, “How can you create art that will appeal to your viewers on an emotional level if you yourself refuse to slow down long enough to feel the emotional impact yourself as you create it?

The key here is to stand before the scene and take it all I. Get a feel for what you desire to share with your viewers before you even pick up your camera! SLOW DOWN, take your time, investigate it from many angles and exposures. Yes this is a single image, in fact the only one I took due to the cost, but I spent a half hour studying the scene, moving around looking for the best impact and knowing that I would get the edge markings and using them to increase overall impact!

This is a hard lesson to learn and harder still to practice. This is one of the the lessons forced upon us who still shoot film as I do. After all, Film = $. We have to slow down and make every shot count so the next logical step is to connect on an emotional level with your subject and thus create art that is charged with mood that will draw your viewer in.

Just because I use FILM as an example here for you do not think that it does not apply to digital!  Yes, once you pay back the investment of your digital equipment with image sales (you do sell your work don’t you?) the cost per image is basically paid only in terms of your time.   But time also has a value and if by slowing down and imparting emotional impact in your image then you will be on the true path of photographic nirvana!

Take your time, explore your scene, feel it’s emotional impact, SLOW Down!

Do not copy the Bee, rather strive to be a master of photography…