Sometimes we just have to stand there taking it all in!Ahh, have you ever had one of those defining moments in life where you KNOW that you are witnessing something truly special that touches your soul? Well that is exactly what this was for me. We had been on the road for almost 11 days on a trip from Rapid City thru Wyoming and Utah. Our last stop of the trip was supposed to be in Zion National Park but we had to cancel due to terrible rain and flooding in the park. We extended our time in Arches which was really nice but it was not until I stood here in Bryce National Park at the Sunset point looking down into the canyon that I realized that I had made a mistake… I should have added onto the time there. We only had ONE day to explore Bryce and it was very nice there with many great vistas and rock formations, but this image at the Sunset Point was the defining moment for the entire trip for me. Understand, that I am NOT talking about either of the photographs captured and shown above, but rather the moment for me personally standing there taking it all in, becoming one with the scene, no camera, no thoughts of photography only the experience and impact of witnessing the greatness of the scene. I stood there for a good half hour drinking it all in and I will remember the emotional impact upon me for the rest of my life. Yes… it was that powerful.
There is some serious food for thought in this last statement. In these days of rapid fire digital photography don’t you think that we can quickly loose sight of what it is that we are trying to create in our art? Shooting in film slows you down which aids in the creative process. This is not to say that we cannot do this with our digital systems because we can and I do, but rather most of us who practice this art tend to “hurry, capture and move on to the next thing!”It was almost as if it was an afterthought that I actually took my Sony A7rii with me up the trail to the overlook and took a few images which were actually quite nice in color, but after the sensory overload of the scene I could only think of one thing, B&W and FILM. Yes, I could convert the color image above to B&W in post processing and do quite a good job of it but NOTHING can compare to what I can create with film! So, it was a bit of a walk back down to the car where my wife and 7 year old grandson were resting because of the long drive to get here, but down I went with only one task, to trade the digital for a TINY B&W film camera, the Olympus XA. The XA is the worlds smallest 35mm rangefinder camera. It has an amazingly sharp lens with easy focus, but the key is the fact that it is pants pocket (not those bulky cargo pockets but regular ones), it is light and handy.
I took so much camera equipment on this trip that the only space I had for a film system required that it be tiny. Against all of my experience I threw in this tiny camera along with just 5 rolls of Kodak Tmax 100 film and off we flew. I am so glad that I did now but having said this it is only fair to share that this was a colossal mistake. I should have made room for a medium format (120 6×7) camera and taken out a lens or two for the Sony. I have learned my lesson and will never repeat this mistake. Don’t get me wrong, the XA captured an amazingly detailed and sharp image. I love how it turned out. The Kodak Tmax 100 film along with the Perceptol developer generated a image (yes small) with tiny grain and great sharpness. Am I happy with the result? You bet! Would I have been happier with a larger 120 negative, OMG YES!! Can I have a do over please? Yes, I know, not to much of there ever being a chance for that.
So lets sum this up a bit shall we?
- SLOW DOWN, take the time to really look at your subject! If you do this your chances of creating a world class image will greatly improve.
- Look closely at what is in front of you, take the time to feel its emotional impact upon you and only then bring out the camera and with your skill and insight to the scene make the camera (nothing more than a tool) capture what you saw!
- Think in both color and B&W. Remember though that B&W removes the clutter and confusion of normal color work. In my opinion, B&W allows you to capture the soul of the scene! So yes, take color but also take B&W, you might be surprised at how well you can do.
- If you are working in digital only, during post processing work color first completely, save the image THEN process for B&W generating all of the mood that you possibly can!