Another Film Dynamic Range Adjustment Post!


A Quick Dynamic Range Followup and Example

Hurricane Florence is coming… Spent all day today starting to get ready. But yesterday I stopped by the causeway bridge to Litchfield beach and shot 1 roll of FP4+ film on my Fuji GA645zi changing between the red R24 and R25 filter. I was looking to the North from the bridge. It is a very beautiful spot and scene.
This is one of my go to spots when I am looking for inspiration and it did not fail to deliver for me. I was heading home but decided to stop at the studio and put the film into the processor, wait the 20 min then hang it in the dryer overnight.
 

But…

When standing there looking at the clouds I realized that the whites were going to be blown so I subtracted 30 seconds from the development time to compress them down towards Zone 8 so that I could capture the entire dynamic range, then in scanning moved them back up a bit to place them closer to my memory of them and bring the blacks up a bit! I love the effect the deep red filter gives to the blue sky.

How did I do this you ask?  I am glad you asked!

With a hand held spot meter I measure the brightest white I desire texture in, then measured the darkest black for texture.  Pushed the average button on the meter and got the zone 5 reading along with a chart showing max and min.  This tells me that the whites will be blown out on the negative.  SO I adjusted my exposure to give texture (Zone 3) in the blacks I wanted and let the whites fall where they will.   In the processing knowing how far over exposed the whites are I can now adjust the developing time (-1N in this case) to compress the whites down to zone 8 (-30 seconds).  Easy!
In the scanning software (VueScan) you have the opportunity in the extended menus to again shift the black and white points up or down.  I simply adjusted both to expand the dynamic range back out to the range of the Gicle’e (RIP) printing system I use in my studio yet keep the whites from being blown out!
  1. Measure the range of the scene and determine if the film can capture it all
  2. Expose to move the blacks with texture to zone 3.
  3. Pick a -N developing time according to where the whites fell in the negative (1 stop for this one)
  4. Scan to keep the textured blacks at zone 3 and move the compressed whites back up where they belong in VueScan)

 

The Results:

 

The Causeway going to Litchfield Beach, SC

It was a pleasant and very satisfying endeavor and made me very happy today when I scanned this image on my way home from preparations.
 
Data: GW645zi – 55mm – Roll 95 – Fr 8 – Red 25 +3 Filter – f8 – 1_60 – FP4+ – Xtol Stock -30s – Wet Scan – T CI 50 – Litchfield Marsh- 2018-09-09
I know, this was a really short post, but I was really pleased with the image results and the entire process was one of those “By the seat of the pants” type of evolution.  I wanted to share again, now simple the process is for adjusting the range on film in development and scanning.  There will be yet another one of these in the future but it will be VERY detailed and perhaps even with a video!

As always please let me know what you think!

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Beach Day For Lilly!


Exploring new things can be fun!

 

Let’s Get To It, Fuji GA645zi with FP4+ processed in Xtol Stock and Wet Mount Scanned

Well, we went last week (Ellen and I, Megan and the 2 grandkids Lilly and Jordan) for a beach day here in Pawleys Island South Carolina.   Meg asked for some images of Lilly’s reaction to the ocean!  I am really not one for hours on the beach but who can turn down a 17 month old babies reaction on B&W film?

I grabbed my Fuji GA645zi camera (auto focus, 4 position zoom, great meter and built in flash) with a roll of Ilford FP4+ film and we headed out!  Not a long trip since we live in Pawleys  so soon we were there.

Data: Fuji GA645zi using a yellow/green filter to bring out the skin tones and a bit of the sky and clouds with Ilford FP4+ film processed in Xtol stock and wet mount scanned today.

Lilly did not know what to think of it all but went into the water and quickly backed up.  Meg sat down with her and helped ease her into the concept of big water.  Pretty soon she was running around having great fun.   Normally I do not do a lot of posts of people or family but hey, you know film?  You got to honor the challenge!

Meg easing Lilly into the water! Fuji GA645zi with FP4+ processed in Xtol Stock and Wet Mount Scanned

Of course Jordan, my 9yo film photographer grandson is an old hand at this and just looked good at anything he did there!

Jordan my 9yo grandson film photographer!

I took only the one roll but saved one shot for  the local beach landscape!  Hey your there so you gotta do it right!

Dunes behind us!

As always, comments are welcome!  Let me know what you think.

Railroad Day Trip and the Fuji GA645zi


The Art Of Film Photography And Travel

 

Jordan standing on part of a giant Redwood tree on the top of the mountain


Day 1

Earlier this month Ellen and I took our 9yo grandson Jordan on a week long trip to the San Francisco area.  We did many things and visited some great sights! One of the most memorable was a 2 day visit to the Roaring Camp where the Big Trees and Pacific Railroad is!  They offered several train trips around the mountains and through the giant Redwoods. 

There also were two covered bridges in Felton, one in Roaring Camp itself and another a short distance away in the town. Here is the Roaring Camp bridge.

Roaring Camp Covered Bridge

Dixiana, a 160 yo steam train being lubed

Our first trip was on the Dixiann a 160 year old narrow gauge steam train designed to move ore down the mountains from the mines.  It was special in that it had geared drives to all of its wheels and while it could not move fast it could pull loads up and down the mountains and take as much as an 8% grade!.

The rail yard was full of amazing trains that were in various stages of repair or being torn down for parts. It was a photographers dream!  There was so many different parts, trains and cars around the yard that I could have spent hours and many rolls of 120 film there.   The film I did choose was Kodak Tmax 400.  The reason for this was the fact that I was in the mountains covered in giant Redwoods and there was not too much light!

 

Pacific Railroad Yard in Roaring Camp, Felton, CA

Dixiana, a 160 yo steam train arriving at the station to pick us up

Once it was time to board the train Jordan and I went down beside the tracks trying to get some good angles on the steam engine with its puffing smoke and steam. 

As it approached we were physically pushed aside by an foreign  woman and her daughter who then stood directly in front of us taking phone pictures. 

We were already setup with our film systems when they did this.  It was the only black mark on the day for us and caused enough anger for me to yell at them for being so rude but they simply did not care.  So this next image had to be majorly cropped to remove them from it. Some people are totally clueless and without a shred of common sense or decency.

If you take a look at the engine you will notice that there is really no dark smoke.  This is due to the fact that it has been converted to burn used motor oil!  There was a water town that it pulled up to and topped off its water level too.

The engine  had a central drive shaft that powered the gear drives to all of the wheels.  Next is another image of it getting ready to leave the top of the mountain on the ride back down to the station.

Dixiana, a 160 yo steam train getting ready to head down the mountain

There was another interesting covered bridge in Felton as well.  It was the tallest covered bridge that I have ever seen!   The town built a nice park around it.

Felton Covered Bridge, Tmax 400

Felton Covered Bridge, Tmax 400

 


 

Fuji GA645zi Medium Format Camera

Let’s take a bit of time to talk about the photography a bit…  On these two train trips, light was an issue as well as not being able to use a tripod.  As this was a week long trip and not photography based I chose the Fuji GA645zi medium format camera because of its light weight, 55mm to 90mm 4 position f/4.5 zoom lens, fast autofocus, accurate built in meter, Aperture, Shutter and Manual modes, internal flash and lightweight as the only camera I would take and carry. It is also tough with a solid titanium body!  In other places around California I was able to use a small carbon fiber travel tripod from Really RIght Stuff and then shutter speed became a non issue.

As I said earlier, ALL shots in this post were done on Tmax 400 due to it being difficult using a tripod as well as lower light levels in the Redwoods.   Normally in a situation where I have enough light or am able to use a tripod I will always choose Ilford FP4+ 125 ISO  film for its amazing sharpness, small grain and great contrasts.  I also shot with an orange filter whenever I could but sometime even that had to come off in order to keep a decent shutter speed.   Processing was done in Kodak Xtol stock in my FIlmomat automated table top film processor.   Once dried I used a wet mount scan process.  I find the Tmax films very easy to use and they give consistent results are easy to load on the reels due to their thick film base.  I also brought along some Velvia 100 film and managed to shoot a few rolls of that at the covered bridges and ocean scenes.


Day 2

TIme for the Beach train ride!  This was a 3 hour trip from the mountains down to the boardwalk along the beach in Santa Cruz! Of course Jordan liked this trip also because the boardwalk held a huge amusement park!   We had an hour to play there once we arrived but he was having so much fun that we decided to wait 4 extra hours for the last train back to Felton.  The train this time was a diesel, Gene O”lague #2641 that took us and we actually rode on tracks thru Santa Cruz proper!  I was pretty interesting and sad at the same time due to the VAST numbers of homeless people who had setup permanent camps along the tracks in the low mountains outside of town.

Gene O”Lague, the diesel that took us down the mountain to Santa Cruz for the beach trip

The train is shown here arriving to pick us up at the station.  It was huge and I managed to capture this one image of it arriving before a mob of people again ran out in front of me, oh well…  

The trip done out of the Redwoods was very interesting and we even went through a long tunnel as we came into Santa Cruz.  The tracks are actually down the center of the streets and was very slow do the traffic!  ALL of the people on the streets, in the cars and trucks waved continuously as we would pass.

After we arrived at the boardwalk the train powered down and sat there for an hour waiting for the first trip back to Felton.  This gave me ample time to do some detail shots of the train which I found very interesting.  This is my favorite of the roll!

Gene O”Lague, the diesel that took us down the mountain to Santa Cruz for the beach trip stopped at the boardwalk in Santa Cruz

 

Of course we were now at the boardwalk amusement park.  We were there a few days earlier (the park) but could not spend much time there for Jordan.  So as I said earlier we decided to add 4 extra hours here for him to ride and play.  It was time well spent and he enjoyed the day.

Sky RIding on the boardwalk in Santa Cruz during the Beach train ride

Ellen & Jordan

All in all the train rides and park were a nice time on the trip for us all.  It was both fun and very tiring but I managed to capture 14 rolls of B&W 120 film and 4 of color slides.  I continue to evolve in my technique for travel photography with the inclusion of more capable travel medium format camera systems which makes me VERY happy.   I hope to travel much more with Ellen in the future and once in a while I will take my larger Mamiya 645AFDii camera and lenses there is good reason to stick to the lighter Fuji GA645zi system with its single zoom lens!

Things learned:

  • While a wider range of interchangeable lenses would be nice, the camera/lenses are just too heavy to travel with and carry…
  • I love rangefinders but an auto focus made my photography much more fun and faster with my family in tow…
  • Take more film…
  • Split the B&W film evenly between slow and fast.  Stick with Tmax 400 and Ilford TF4+ 125…
  • Take along a faster slide film…
  • Get a bigger dark bag to hold exposed film…
  • Did I say take more film?  Yep, but it is a biggie!

 

Thanks for bearing with me thru this ultra long post.  While it does come across as more of a family vacation (which it is) post it really does go into ways to make such a easier and funner experience!

 

As always, please let me know what you think of it all!

 

 

 

 

 

 

 

 

 

 

 

Testing the new Fuji GA645zi Medium Format Camera


A Light Weight 120 Autofocus Travel Camera with a Zoom Lens!

Fuji GA645zi

Fuji GA645zi

Well…. I have been waiting to test out my new Fuji GA645zi camera for about a week now but due to family issues I have been unable to do so.
I finally made it out to visit the shrimp boats just west of Tybee Island and the light house there! The sky was very plain with no clouds but I really needed to test this camera out. I put on a yellow filter to slightly darken the sky and used Fuji Acros 100 film.
 
This is the shrimper Agnes Marie.
Shrimp Boat Agnes Marie

Shrimp Boat Agnes Marie

Data:
Fuji GA645zi – Acros 100 – f19 1-30 Plus 1 EV, Yellow Filter 9-18-17 – Wet Mount scanned – Agnes Marie – 2017-10-27. Processed in Xtol 1:1.
Fuji GA645zi

Fuji GA645zi

Please note that along the bottom of the frame ALL of the exposure data is recorded!  This is a feature that I really like.

 
The auto focus system is very robust, fast and dead on! It is not as loud as people claimed and I really enjoyed using it! I had an issue with my first roll in that it did not clear the take up reel and bulged out fogging most of the roll. Bad me, I used the one that came with the camera, so I then used the reel that the Acros came on and all is well there now. 
 
I know that the sky is plain but I am still happy with the results!
 
I am looking at this camera as a small light 120 travel camera. I know that the 6×4.5 negative is smaller than my 6x7and 6×9 systems but it still gives a large enough negative for sizable prints.  An other nice feature is that the camera has a 7 position zoom quasi zoom lens which again makes it attractive for travel!   
I only had time to wet mount scan 1 image today but I put 4 rolls of film thru it so there will be more on the way including the Tybee Lighthouse!