Creating World Class B&W Images With Leica Monochrome
In my continuing love affair with the Leica M Monochrome camera system I have learned more each day towards creating amazing etherial B&W art… Keep in mind that I have been shooting B&W film (35mm, 6×7 and 4×5) for several decades and know and understand the process very well. But using the Monochrome is such an easy progression that it seams as though the camera is leading me down this path on its own. Yes there is some small post processing to be done using Nik Filters Silver EFX and once in a while I will add some Viveza as well, but for the most part it is almost perfect out of the camera as long as you get the exposure correct in the shooting!
In the image below of the shrimper Stormy Seas, I used the Leica Tri-Elmar set in 16mm. There is no image distortion from such a wide angle and it is sharp with good depth of field. When using this lens on the Monochrome you are forced to use the frankenstein viewfinder that you purchase with the lens but that is a small price to pay for such a useful lens. I also have a Voigtlander Hellar 12mm lens in the camera bag and it works very well on the Monochrome and uses an external 12mm viewfinder, but it does distort the image slightly due it its wideness but you can correct for that in Photoshop. The thing about the Tri-Elmar is that it replaced 3 separate lenses that were stolen with one small lens!
Using a fast lens like the 50mm Summilux ASPH for the image below of the Roanoke River Lighthouse allows you to hand hold on dark or stormy days and still get crisp images that jump out at you! For this image I also had a yellow filter attached to bring out the structure of the clouds. This is one of the HUGE pluses of the Monochrome in that it reacts to the standard B&W filters the same way as film does!
But as always my main use for the camera is long exposures which is where my true love lives! Being able to take ocean shots and smooth out the waves is exciting beyond words and the Monochrome does a great job of it with its 4 min bulb limit. Look at the image below of the (another version) Roanoke Marshes Light House. I was there when the light was on and each time it circled it created another slightly offset star effect. It allows me to create images full of wonder and depth!
The implied stillness of the water with the graduated reflections create an image full of mood and depth. This is one of my favorite images of this Light House and the fact that during the 16 second exposure the light revolved around 3 times to generate 3 slightly offset star patterns just add more mood to it. This particular shot was done with a B+W 103 3 stop ND filter to allow the longer shutter speed at f/8 for sharpness with the 50mm Summilux ASPH lens!
Now let me share a detail shot of a fishing boat just up the island from the Light House. It is simple yet tells a complex story of the boat and job.
I love the textures of the image and the sharpness. The texture on the surface of the individual floats are great and perhaps would have been better served by a closer shot. It was taken with the Macro Elmar 90mm lens (a great lens to invest in) and was done on the tripod!
Continuing with the 90mm Macro Elmar I give you a closeup image taken just as I left the Outer Banks. This mushroom is only about 2 inches tall and I had to lay down under a log to get it. Yes a tripod was used but it was the Really Right Stuff table pod which is an amazing tool to have in your kit for just this sort of work Look at the textures on the bottom and stalk of the mushroom. This 90mm lens is the only 90 that I will ever buy for my Leica cameras!
I hope that you enjoyed this last dedicated post on the Leica M Monochrome camera. I will have many more images to share from it in the future but I think that you are likely getting tired of dedicated posts!